Grey gardens<\/em> (1975) es arte, uno que muestra la excentricidad, pero tambi\u00e9n su perdida. \u00a0<\/p>\n\n\n\nEdith Ewing Bouvier Beale (1895-1977) y Edie Bouvier Bale (1917-2002), familiares de Jackie Kennedy, fueron artistas abandonadas a la reclusi\u00f3n, la desidia y la marginalidad social. Viv\u00edan en una mansi\u00f3n de Long Island que supo ser un lugar de lujo y fiesta, pero se convirti\u00f3 en el deposito de los restos de un pasado que ya no est\u00e1. <\/p>\n\n\n\n
Los medios del momento publicaron c\u00f3mo parientes de Jackie Kennedy viv\u00edan en absoluta pobreza en una mansi\u00f3n que se ca\u00eda a pedazos. Los cineastas Albert y David Maysles le propusieron a estas mujeres hacer un documental sobre sus vidas, reflejo de la decadencia y la excentricidad: la demostraci\u00f3n de un sistema patriarcal que no daba posibilidades a las mujeres, y la reinvenci\u00f3n que deb\u00edan afrontar frente a la exclusi\u00f3n, resultado del abandono del hombre.<\/p>\n\n\n\n
\u00bfPero qu\u00e9 espacio se da para mostrar esa reinvenci\u00f3n? \u00bfEs solo la otredad frente a la figura de Jackie Kennedy, quien representaba un \u00edcono para dicho contexto? Creo que esta primera lectura es acertada, pero tambi\u00e9n hay otra que demuestra c\u00f3mo el recuerdo nos marca, c\u00f3mo las clases sociales marginan, c\u00f3mo dos mujeres son excluidas y vistas como morbo. Madre e hija construyeron un mundo propio dentro de su mansi\u00f3n en donde la acumulaci\u00f3n de basura y de cosas rotas conviv\u00eda con la excentricidad. <\/p>\n\n\n\n
Ante la p\u00e9rdida de pelo, perdida de aquello considerado \u201cbelleza\u201d, Edie comienza a utilizar pa\u00f1uelos y turbantes. En esa decisi\u00f3n lo que termina haciendo es inspirar a dise\u00f1adores. \u00bfQu\u00e9 es lo que ve la sociedad? Primero, el abandono. Pero despu\u00e9s, si encuentra en ese abandono utilidad, es puesto como \u00edcono: lo que se ve es de nuevo lo exc\u00e9ntrico. \u00bfEs la vida este ir y venir constante?<\/p>\n\n\n\n
Ellas fueron arte en s\u00ed mismas. Este documental nace sobre las desgracias de lo que queda. Muestra lo real, lo verdadero y lo complejo de las relaciones que se dan entre madre e hija. No solo la realidad de una historia que ocurri\u00f3, sino tambi\u00e9n la realidad que aparece donde la fiesta y \u201cla pizza y el champagne\u201d se vuelven un momento ef\u00edmero.<\/p>\n\n\n\n
La decadencia, el recuerdo de algo que ya no es y la demostraci\u00f3n de lo que queda es la acumulaci\u00f3n: la basura, el anhelo que guarda esa mansi\u00f3n que solo tiene pedazos de cosas, como si la desgracia se pudiera depositar en un rinc\u00f3n. Y resulta que la desgracia tiene olor a podrido, y se la acompa\u00f1a con muchos gatos. Ante esto, los vecinos denuncian.<\/p>\n\n\n\n
Grey Gardens<\/em> es un momento de quietud, una demostraci\u00f3n de qu\u00e9 es tenerlo todo, despu\u00e9s pasar a tener nada, y ver qu\u00e9 es lo que queda de todo eso. <\/p>\n\n\n\nPor: Florencia C. Barba Lijer\u00f3n<\/p>\n\n\n\n
Arte: Van Arce<\/p>\n","protected":false},"excerpt":{"rendered":"
“Se me cay\u00f3 una bufanda y nunca la volv\u00ed a encontrar.” Little Edie. Hay varias<\/p>\n","protected":false},"author":3,"featured_media":2295,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[225,345,327],"tags":[],"class_list":["post-2292","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-permanente","category-cine","category-resenas"],"yoast_head":"\n
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