{"id":2808,"date":"2021-08-16T20:40:36","date_gmt":"2021-08-16T20:40:36","guid":{"rendered":"https:\/\/agendafeminista.com.ar\/?p=2808"},"modified":"2021-08-16T21:14:59","modified_gmt":"2021-08-16T21:14:59","slug":"una-madre-es-un-piano-triste-de-maria-malusardi","status":"publish","type":"post","link":"http:\/\/agendafeminista.com.ar\/?p=2808","title":{"rendered":"Una madre es un piano triste de Mar\u00eda Malusardi"},"content":{"rendered":"\n

Una madre es un piano triste<\/em> es un hijo anfibio: cruza de ensayo, poes\u00eda, diario y relatos narrativos que muestran los infinitos rostros de la maternidad, sus infinitas melod\u00edas.<\/p>\n\n\n\n

Mar\u00eda (la gran madre de toda la creaci\u00f3n occidental) repasa su historia encontrando el indicio del crimen, la g\u00e9nesis de su maternidad fallida. Regresa a su infancia. En su madre est\u00e1 la primera sospecha: su propia creadora, creadora de quien no puede crear. La investigaci\u00f3n sigue, se amplia. Se extrae de su propia historia y la historia de Mar\u00eda es la de todas las madres del mundo.

La protagonista encuentra alivio a sus preguntas sumergi\u00e9ndose en los libros. Dice \u201cleo para agazaparme en el lenguaje, que es la madre sustituta\u201d. Y entonces, tal vez sin quererlo, busca en sus ancestras, dialoga con Medea, con Ofelia, con Adrienne Rich, con Marguerite Duras. Y tambi\u00e9n con sus contempor\u00e1neas: Socorro Venegas, Lina Meruane, Vivian Gornick, Anne Dufourmantelle. Y su di\u00e1logo sobre la maternidad es un leitmotiv obsesivo. Y nos subimos a sus conclusiones como a una nave, para olear entre las aguas de un \u00fatero seco y las gotas del segundo movimiento de un concierto de Ravel.

Mar\u00eda (madre de todas las madres) encuentra, por momentos, la forma de traducir la m\u00fasica a palabras. Se le concede ese<\/em> milagro. No acaricia la piel arrugada de un infante, pero puede escuchar la lengua original y traducirla.
\u00bfser\u00e1 eso suficiente? \u00bf lo sabr\u00e1 Mar\u00eda?<\/p>\n\n\n\n

Ella dice:
\u00bfSin hijos no somos?<\/em><\/p>\n\n\n\n

Sin hijos somos la herencia amputada. Qui\u00e9n nos enterrar\u00e1. Qui\u00e9n nos llorar\u00e1. Qui\u00e9n nos recordar\u00e1 cuando nos vean en una antigua fotograf\u00eda. Nadie dir\u00e1: mi abuela, mi bisabuela. Ser\u00e9 un mu\u00f1\u00f3n de arroz con leche. Ser\u00e9 la canela al viento.<\/em><\/p>\n\n\n\n

Una madre es un piano triste<\/em> se teje sobre ese contrapunto: la inmensa capacidad creativa del arte en manos de la autora y la limitaci\u00f3n de un cuerpo que falla, que se resiste a la trascendencia por repetici\u00f3n biol\u00f3gica.
Este libro, acorde a nuestros tiempos, se nombra sin g\u00e9nero, y muta hasta desintegrarse. Y ya ni siquiera es un libro. Es, tal vez, un intento de oda a la maternidad (fallida o no) o una pavana para una madre difunta que nunca lleg\u00f3 a nacer.<\/p>\n\n\n\n

Por Lala Sosa
Arte: Van Arce<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

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