{"id":3046,"date":"2022-08-05T20:17:55","date_gmt":"2022-08-05T20:17:55","guid":{"rendered":"https:\/\/agendafeminista.com.ar\/?p=3046"},"modified":"2022-08-05T20:17:57","modified_gmt":"2022-08-05T20:17:57","slug":"yegua-el-viacrucis-de-un-torton","status":"publish","type":"post","link":"http:\/\/agendafeminista.com.ar\/?p=3046","title":{"rendered":"YEGUA: el viacrucis de un tort\u00f3n"},"content":{"rendered":"\n

Con gui\u00f3n de Bel\u00e9n Gatti y direcci\u00f3n de Maruja Bustamante, Yegua<\/em> irrumpe en El Galp\u00f3n de Guevara para acercarnos a una experiencia diferente. Se trata de una obra que explora la vivencia l\u00e9sbica en un contexto religioso, organizada estructuralmente en un paralelo \u00fanico: las estaciones del viacrucis de Jesucristo.<\/p>\n\n\n\n

Seguimos la historia de Tort\u00f3n (Melina Milone), una lesbiana que, luego de una dura ruptura amorosa, se sube a su moto Daisy (Anal\u00eda Ayala) y termina en la puerta de un convento de mojas de clausura, donde decide quedarse. All\u00ed, Tort\u00f3n-monja-chonga conoce a la Yegua (Jorge Thefs), de la cual se enamora, y junto a la que vive una transformaci\u00f3n religiosa digna de atestiguar.<\/p>\n\n\n\n

Tort\u00f3n no es el t\u00edpico personaje l\u00e9sbico: es un tort\u00f3n con todas las letras. Con una identidad que se tensiona desde el lenguaje, entre lo masculino y lo femenino, abre paso a la representaci\u00f3n de una masculinidad l\u00e9sbica asumida, deseante y aguerrida. Este es el viacrucis de Tort\u00f3n, quien debe cargar su cruz, morir crucificada y resurgir de entre los muertos. Y aunque eso pueda significar muchas cosas, hay algo que es seguro: en esta experiencia de fe, las encrucijadas de Tort\u00f3n son revelaciones. Profesan sobre la identidad, el amor, los v\u00ednculos y la libertad, en un camino tan delirante como multidimensional y sensible, donde la voz que narra es m\u00e9dium de algo mucho m\u00e1s grande.<\/p>\n\n\n\n

Las actuaciones son sin lugar a dudas el aspecto m\u00e1s admirable de la obra. La consistencia y profundidad de todos los personajes, as\u00ed como tambi\u00e9n la sinergia de sus interacciones, hacen que la escena que presenciamos sea realmente religiosa. Y aunque Tort\u00f3n nos deje con la boca abierta en m\u00e1s de una ocasi\u00f3n, es necesario destacar la destreza con la que se interpretan los personajes de Daisy \u2013la moto\u2013 y la Yegua. Los actores asumen el desaf\u00edo de dar vida a esos personajes complejos, indispensables para la transformaci\u00f3n de Tort\u00f3n, con un nivel de veros\u00edmil atrapante y sostenido, ancl\u00e1ndose en los detalles, tan sutiles como necesarios, que hacen de esta obra un deleite.<\/p>\n\n\n\n

Asimismo, la m\u00fasica en vivo y los n\u00fameros musicales en escena construyen un mundo de liturgia. Como en una iglesia, entre palabra y eucarist\u00eda se oyen canciones que se adaptan armoniosamente a las diferentes estaciones del viacrucis de Tort\u00f3n. El acompa\u00f1amiento del teclado en cada uno de los episodios, como un \u00f3rgano, le da a la puesta en escena el toque g\u00f3tico-trash necesario para cerrar con mo\u00f1o su car\u00e1cter surrealista.<\/p>\n\n\n\n

Aunque por momentos el paralelismo con las estaciones del viacrucis se ve tensionado, generando im\u00e1genes confusas entre el t\u00edtulo y lo representado, es cierto que la polisemia encaja con el resto de la apuesta. El plano de lo simb\u00f3lico es esencial en esta obra, donde una yegua en bondage y zapatos de tap puede hablarnos de ataduras y relinches gozosos, solo con la existencia de su corporalidad en escena.<\/p>\n\n\n\n

Yegua<\/em> es una propuesta diferente: arriesgada, irreverente y atrapante. Toca temas c\u00f3modos e inc\u00f3modos con una soltura disfrutable. Su fuerza disruptiva arrasa contra todo tradicionalismo, en un giro ir\u00f3nico y fresco al hacer uso libre de la estructura de uno de los relatos m\u00e1s antiguos de la humanidad. Quien vaya a ver esta obra debe prepararse para atestiguar una transformaci\u00f3n de otro orden: lo mundano no es asunto de esta historia.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Por Zoe Ledesma <\/p>\n\n\n\n

<\/p>\n\n\n\n

FICHA T\u00c9CNICO ART\u00cdSTICA<\/strong><\/p>\n\n\n\n

Dramaturgia<\/strong><\/a>: <\/strong>Bel\u00e9n Gatti<\/a><\/p>\n\n\n\n

Int\u00e9rpretes<\/strong><\/a>: <\/strong>Anal\u00eda Ayala<\/a>, Carmen Baliero<\/a>, Melina Milone<\/a>, Jorge Thefs<\/a><\/p>\n\n\n\n

Dise\u00f1o de vestuario<\/strong><\/a>: <\/strong>Chu Riperto<\/a><\/p>\n\n\n\n

Dise\u00f1o de luces<\/strong><\/a>: <\/strong>Ver\u00f3nica Alcoba<\/a><\/p>\n\n\n\n

Realizaci\u00f3n de vestuario<\/strong><\/a>: <\/strong>Nube<\/a><\/p>\n\n\n\n

M\u00fasico En Escena<\/strong><\/a>: <\/strong>Pablo Viotti<\/a><\/p>\n\n\n\n

Asistencia de direcci\u00f3n<\/strong><\/a>: <\/strong>Juliana Ortiz<\/a><\/p>\n\n\n\n

Producci\u00f3n<\/strong><\/a>: <\/strong>Jorge Thefs<\/a><\/p>\n\n\n\n

Dise\u00f1o de movimientos<\/strong><\/a>: <\/strong>Agustina Barzola W\u00fcrth<\/a><\/p>\n\n\n\n

Direcci\u00f3n musical<\/strong><\/a>: <\/strong>Carmen Baliero<\/a><\/p>\n\n\n\n

Direcci\u00f3n<\/strong><\/a>: <\/strong>Maruja Bustamante<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Con gui\u00f3n de Bel\u00e9n Gatti y direcci\u00f3n de Maruja Bustamante, Yegua irrumpe en El Galp\u00f3n<\/p>\n","protected":false},"author":3,"featured_media":3047,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[231,327,226],"tags":[],"class_list":["post-3046","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-recomendaciones","category-resenas","category-nota-teatro"],"yoast_head":"\nYEGUA: el viacrucis de un tort\u00f3n - Agenda Feminista<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/agendafeminista.com.ar\/?p=3046\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"YEGUA: el viacrucis de un tort\u00f3n - 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